Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

Friday, March 4, 2016

Something about a limbic system

Over at amazon, one customer wrote the following about my strange book:


Okay, so say you're channel surfing, and you come across ... oh I don't know, The Reaper, and you think to yourself, not a bad premise--a bunch of kids, minimum wage employment, some cute girls, lots of supernatural elements ... but something's missing--what the hell's missing from this picture? And then it dawns on you; Bukowski! Bukowski is missing. If Buk could rise up from the dead and find employment as one of the writers for The Reaper, you'd have something pretty similar to Stygiophilia, a fast paced, tight-lined, no holds barred, brick to the head, macabre tale of one man's quest for absolution.

This is a great read. A quick read (98 pages), but a great one none the less. Nathan gets in and gets out, but still manages to slowly reveal a horrific back story that shapes everything the narrator (and the reader) experiences.

My only issue with the book is the layout, but that's just (I assume) a technical issue and easily overlooked once you get cruising along with the story line, which--from a writing standpoint--is liquid smooth.

You can read it for free here

You can buy it here

Tuesday, February 23, 2016

Zombie Entanglement

Zombies are everywhere these days. The Walking Dead is the biggest thing on TV. Movies are overrun with the undead. Donald Trump's supporters are (mostly) brain dead flesh eaters. So, why not get into some serious zombie fiction.

In the early days of the zombie epidemic a group of survivors band together to escape their decimated city. As they travel through a savage, brutal landscape they encounter terrible brutality, surreal events, and the end of history. Along the way they stumble upon a mystery and attempt to solve it. If they succeed, mankind may be saved. How to make Love Like a Zombie is a dark, brutal, sexually twisted exploration of the depths of man's depravity.

How to Make Love Like a Zombie

Seriously, give it a shot. 

Thursday, January 21, 2016

Old Fish

Down here the min­ing com­pa­nies built the towns. Every­one owed their liv­ing to the min­er­als com­ing from the belly of the earth. Even if they didn't swing a pick in the dark, they worked at one of the room­ing houses, shops, or saloons that the min­ers needed. As things will, the shaft min­ing dried up. The bosses brought in giant elec­tric shov­els for strip min­ing and most of the min­ers, no longer needed, left to find work on farms or in fac­to­ries. The big shov­els tore wounds in the earth. to get to the coal, nickel and Galena hid­den below. Those giant ruts stayed and even­tu­ally the sky filled them and they became lakes that would out­last the com­pa­nies respon­si­ble for them. Around here they call them strip pits. Some of the pits were fed by streams and with the rains came the fish. They grew in abun­dant vari­ety and every young man was expected to make his first catch in one of those pits. The giant shov­els, aban­doned, were left to rot where they stood; not unlike the min­ers that pre­dated them.

When I was five my dad took me on my first real fish­ing trip. He would have got­ten to it ear­lier, but he had spent most of my life on the road build­ing a pipeline to move nat­ural gas across the coun­try. We took his lit­tle flat bot­tomed row boat out to County Pit 23 and shoved off into the water. He rowed while I looked around at the oak and elm trees that lined the banks. I was try­ing to spot a sas­safras tree so we could dig up some root and make tea that night. My best mem­o­ries of my dad up to then were of boil­ing the root, strain­ing it then adding just enough sugar before we hud­dled together on the couch and watched what­ever mind­less thing the TV had to offer.

Dad found a good spot and handed me my rod. It was a trusty Zebco 33. His was fancier. We were after cat­fish and flat­heads so we used chicken liver as bait. Chicken liver is great for cat­fish. When it hits the water the blood spreads and swirls and the smell moves out like a sig­nal. Cat­fish are drawn like sharks from hun­dreds of yards away. Shad works well too, but you can never get the stink off your hands.
Dad popped the to
p on a can of Pabst and cast his line. Some­thing hit almost imme­di­ately. He strug­gled a bit, then pulled in a small cat. It was too lit­tle, so he tossed it back.

Grow some more, lit­tle man,” he said to the fish as he let it slither back into the murk.
Two hours of that and dad had hooked three good sized cats. All I had man­aged to catch was a baby drum, which I badly wanted to keep.

No, son,” the old man said, “we’ll come back and catch him when he’s all grown up.”
I asked for help rebait­ing my hook. Dad linked the liver over my hook then I cast into a shady spot near the bank and waited. Min­utes passed. I kept watch­ing the bank, want­ing some­thing to hap­pen. Then my line went tight. Some­thing big. I thought that I had the daddy of all cat­fish on the end of that line. The thing wanted to pull me into the water as badly as I wanted to pull it out.

Dad grabbed my arms and helped steady me while I fought. When the thing cleared the water I was ter­ri­fied. The thing looked like a leg­less croc­o­dile with fins. It was part mon­ster, part dinosaur and part fish and I knew that it wanted me. Its  dead eyes spoke of rep­til­ian hunger and pre­his­toric rage. This was that crea­tures’  planet and he wanted it back.

I took hold of the rough thing and tried to work the hook out of its razor jaw. My fin­gers went too deep and I felt the fire as the sharp teeth sipped through my flesh. Blood seemed to be every­where and dad moved so fast that the boat almost over­bal­anced. He tore the thing from my hands and cut the line with his pocket knife. The mon­ster slith­ered back into the murky water with tan­gles of my skin still hang­ing from its teeth.

I watched the gar until it van­ished into the mud and knew that I would never swim in that pit again.

First appeared in Fried Chicken and Coffee

Poor Old Ezra

We keep Ezra Pound in a cage and charge the suckers in the crowd five bucks a head to file silently past and watch with slack jaws and milky eyes as the old man squats, naked, bestial and recites endlessly from the Cantos .

Toback leans in close to me, his shoulders descending from his neck as if a lead weight were hanging on them, sighs without remorse and says: "You take too much." I let my hand slide down the cool of metal that describes the bars that hold the old beast sternly in place. Somewhere, just beyond my understanding, I ache.

Occasionally someone will try to speak to the old poet and he will growl. The noise, guttural and raw rises from his throat and the crowd pauses. They wonder if this is the beginning of some new poem. Perhaps a sonnet. Perhaps a foray into postmodernism. They've never read Moby Dick.

Pound squints his eyes at them. They are eyes filled with dark light and bad intentions. Those eyes speak of things best not considered. They speak of ovens and showers and badly skewed rhymes.
A small boy, his hair askew, breaks from his mothers grasp, runs to the cage and shoots his tiny ballad fist between the bars. Ezra Pound stops and move toward the child. At first it seems that he will attack. But then, and with much portent, Pound gives the boy his annotated copy of The Wasteland and a few worn crayons.


and this 

Thursday, January 14, 2016

A free Book

My novel Stygiophilia is now on line, free - feel free to read it. Or don't. Whatever.

here it is

Sunday, September 6, 2015

A Matter of Survival

This first appeared in Word Riot

A Matter of Survival

by

Nathan Tyree

The first time you kill you tell yourself that it's only a matter of survival. You say, softly so no one will hear, it was him or me. I had no choice, you say. You look at the dead man's eyes (if you ever get that close) and try not to imagine the light that should be there. You try to think about the sand in your boots and how it is abrading your sole. You try to focus on the itch at the back of your neck. Any small annoyance will suffice. Anything will do as long as you don't have to imagine the dead man smiling at his wife.

Your buddies have no idea. They will slap you on the back and tell you how you have saved all of them; tell you that you're some great fighting machine. All the while you're trying to convince yourself that it was only a matter of survival.

The second one is easier. You can grit your teeth and, with a little concentration, block out the dead man's children who want to weep and tear their clothes in your head. It was him or me, boys, you'll say loudly enough for the others to hear this time.

By the fourth or fifth you can't even see their faces any more. By the seventh the dreams and night sweats have vanished. By the tenth you no longer imagine the light that should be in your eyes. You tell jokes and talk about women. Your buddies laugh and marvel that you are born again hard. None of them suspect that there is something rotting inside of you.

After the war, when you rotate back to the world, you start to miss it. You can't sleep in your bed any more. It's too soft and the room is too quiet. Sometimes you catch yourself measuring the distance and the elevation between you and a stranger, calculating how much to lead for the wind. It's then that you can feel the rifle in your hands.

You don''t open up in the 7-11 with an Uzi. You don't kill your best friend''s wife. You wouldn't do that even if you had a best friend. Maybe you drink a little more than you used to. And maybe, once in a while, you catch yourself with the cold end of your .45 against your temple. Even so, you think that mostly you've adjusted well. You only wish that they would have warned you.

All through basic they drilled it in hard: you could die over there. What they never really made you understand was, you could kill too.

Friday, July 24, 2015

Billy the Kid or a Wounded Alligator



Billy the Kid killed 21 men
One for each year that he lived
I am 18 behind his record, and that
makes me sad

So I walked out into traffic today
I don't think that it was really suicide, not in the "I want to die right now" way
I think that maybe I thought that I would turn incorpreal and the cars would pass right through me, or that maybe at the last second I would suddenly be able to fly, or that (and I admit, this one seems unlikely) I would find that I had super strength and just bat the cars aside all Incredible Hulk style.

I was very disappointed when the cars stopped to let me pass.

Sunday, June 7, 2015

Transmissible spongiform encephalopathies

Transmissible spongiform encephalopathies

(Just for us)
by Nathan Tyree

The rhythms of their breath, looped together in twin syncopations, were like venal sin without repentance. Damp scents filled the dark room and the single candle cast shadows about like playful ghosts.

“Here” she said, placing the flat of her palm against his chest and pushing so that he rolled off her and tumbled onto his back.

“What?” He strained to see her in the low, shifting light.

She straddled his pelvis and worked herself down. As he entered her again she said “I don’t believe in God.”

“Not even now?” he asked.

She thrust her hips forward, grinding hard against him. He reached up and gripped her nipple giving it a powerful twist.

“Especially not now,” she said as she quickened her movements drawing closer to orgasm.
“I . . . I . . . Need to . . . “ he tried to make a clear sentence but she clasped her hand over his mouth.
“Shut up,” she said. “Don’t you dare come yet.” Her breathing was changing, they were no longer creating harmony. She was conducting. Then spasm. Release. Her body quaked in waves. The sky seemed to collapse around her.

When she was done she rolled off him and spread her legs. “Here, finish” she said.

He climbed atop her and did just that. When he had exhausted himself and pulled out she said to his receding form “that’s why”.